Alternate Timelines and Rubber Monsters Galore!

Between Light and Shadow: A Twilight Zone Podcast ran for five years, from October 2016 to November 2021 (which sounds more impressive than it actually is, given the fact that I only managed to generate 69 total installments that entire time). It was always my intent to do some sort of Outer Limits-centric tangent-type episode at some point during those years, which the second half of the 2020 David J. Schow double feature extravaganza (detailed last time) did sorta satisfy… emphasis on sorta. 

See, back at the show’s inception, I seriously considered doing an Outer Limits podcast instead. At that time there were NO podcasts exclusively devoted to TOL and only a smattering of websites (this blog, We Are Controlling Transmission, maybe one or two others). The Twilight Zone, on the other hand, was well represented on both fronts. So why did I choose The Twilight Zone? I think it ultimately came down to---- which show did I know better? Which show had I loved longer? 

Do I regret my decision? If I’m being honest---- Christ, yes. 100%. Don’t get me wrong--- I’m (mostly) proud of the podcast, now that a bit of time has passed since it ended (but I struggled--- sometimes mightily so--- with that fucker while I was doing it). From Day One I was always nipping at the heels of established giants (The Twilight Zone Podcast and The Twilight Pwn, chiefly), and my little show never really took off as I’d hoped it would. Had I gone the OL route instead, I would’ve been the only game in town (until Victor Gamboa launched The Outer Limits Podcast in November 2017, that is). 

And you know what? I suspect I would’ve enjoyed the experience more had I done an OL podcast. 

When I started crafting the aforementioned Outer Limits-centric tangent-type episode for BL&S, I leaned hard into the Sophie’s Choice decision and imagined an alternate universe in which I had in fact taken that proverbial road less travelled. Marvel’s What If? had just finished its first season, so it felt like the perfect time to riff on the whole Multiverse thing.  

On November 11, 2021, mere weeks before the show breathed its last, I rolled out the inaugural (and only) installment of Between Awe and Mystery: An Outer Limits Podcast, which focused on the “Tourist Attraction” episode. It's basically the EXACT same format as Between Light and Shadow--- it’s got the same segment jingles, the usual customary music segment with Dr. Reba Wissner, the same lame dad jokes--- but with one critical difference: DJS was on board as essentially a co-host. Check it out:

We treated the whole thing as if we’d been doing The Outer Limits the whole time… and managed to confuse a couple of listeners in the process, who apparently weren’t hip to the whole super-meta in-joke thing. Jesus, the What If? bit at the beginning wasn’t enough of a hint? Sheesh.  

Remember “The Forms of Things Unknown,” which was shot two different ways in order to create both an Outer Limits episode and a pilot for a projected series called The Unknown? My chat with DJS about “Tourist Attraction” was similarly intended to serve two distinct purposes. After the podcast version, it would be rearranged and remixed to serve as a straight Blu-ray audio commentary for…. 

Well, what, exactly? That, kids, remains to be seen. We got the idea from our colleague Tim Lucas, who was commissioned by a fan in 2021 to record an ala carte commentary track for “It Crawled Out of the Woodwork.” There were eleven Outer Limits that didn’t receive the commentary treatment in either the Kino Lorber or the Via Vision Blu-ray releases, which became ten after Lucas’ effort… and now, with the finished (but presently homeless) “Tourist Attraction,” there are nine. I suspect DJS and I (and others) won’t rest until EVERY episode has at least one commentary track attached to it. WHERE these tracks might appear is the real question. 

Full disclosure: DJS and I briefly entertained the idea of doing a limited series podcast in which we’d cover only the episodes that never got audio commentaries. I even mocked up a graphic for it: 

...an obvious riff on his book The Outer Limits at 50. The plan was to release new episodes on a monthly basis throughout 2019 (leading up to the show’s 55th anniversary). We obviously never got around to it, but…. hey, you never know. Next year is the show’s 60th anniversary, after all (watch your back, Victor!). 

Next time: Betritt die Nachtgalerie...

Ave atque vale, Henry.

David J. Schow sent out the following communique yesterday:

It sucks supremely to announce the death of an OUTER LIMITS player on the 59th anniversary of the premiere of the show itself -- September 16th -- but that's what happened: 

I first met Henry at Joe Stefano's house during a holiday gathering at which several OUTER LIMITS alumni were in attendance. I dragged him back to Joe's office to show him his photos and citations in THE OUTER LIMITS COMPANION, and he was thrilled to discover "hey, wait, there's really a book?!" 

Henry was ported over from Leslie Stevens' STONEY BURKE -- where he played an assassin in the pilot episode for "The Weapons Man" in 1963: 

Then he was tyrannical despot General Juan Mercurio in the OUTER LIMITS episode "Tourist Attraction." 

And at his most magnificent as Chino Rivera in "The Mice." 

Ave atque vale, Henry. 

Schow provided a bit of clarification later that same day:

COLD COMFORT INDEED, but apparently Henry died on the 14th... so NOT on the anniversary. Still immeasurably sad, but people should take note regardless... 

Aside from his OUTER LIMITS and STONEY BURKE appearances, I'll always remember his mano a mano tussle with none other than Frank Sinatra in 1962's THE MANCHURIAN CANDIDATE:

Rest in peace, Mr. Silva. And on the subject of "Tourist Attraction"... well, stay tuned.

Woody Strikes Again!

As I mentioned last week, our pal Woody Welch has been commissioned to create five paintings for the upcoming Outer Limits gallery show at Burbank's Creature Features. We saw one of them last week (the Box Demon from "Don't Open Till Doomsday"), and we'll see another next week (Regina the Bee Queen from "ZZZZZ"). But the other three have so far remained unknown... until now, that is. Via his various social media outlets, Woody unveiled the third painting yesterday.

It's the Ichthyosaurus Mercurius from "Tourist Attraction," rendered in opaque acrylics on canvas. I absolutely love it. It's probably my favorite so far (and that's really saying something; wait till you see his "ZZZZZ" painting!). Look how those colors pop. Y'now, it kinda reminds me a bit of the LP cover for John Barry's Thunderball soundtrack....

As I've done with some of Woody's other work, I promptly re-purposed the new painting:

There are still two paintings left to reveal....

Episode Spotlight: "Tourist Attraction" (12/23/1963)

“Tourist Attraction”

Season 1, Episode 13

Originally aired 12/23/1963

After the disappointingly monster-free “The Borderland,” The Outer Limits followed up with an attempted return to form with an episode featuring a gloriously grotesque and wonderfully-realized creature. It didn't come from the Black Lagoon, exactly, but it may as well have.

Arrogant rich white guy John Dexter stumbles upon --- and captures --- a large aquatic creature in the waters of the Republic of San Blas. Working with a local university, Dexter has the creature placed on ice while he arranges to transport it back to the US. The tyrannical General Juan Mercurio, San Blas’ current dictator, is having none of it: the discovery is sure to draw the world’s eye and make his upcoming World’s Fair a resounding success. He names the creature after himself (Ichthyosaurus Mercurius), declares it a national treasure and installs an armed guard to “protect” it.

The creature possesses porpoise-like ultrasonic communicative abilities, which it is using to emit a homing signal, presumably to others of its own kind. Dexter disarms the guard and attempts to smuggle the creature out of the country; however, his plan is foiled by the appearance of more Ichthys, rising out of the water to rescue their lost companion. Dexter panics and releases the creature, which promptly returns to the water with its kin. The Ichthys then concentrate their ultrasonic powers on destroying the nearby Mercurio Dam, causing a devastating flood. Among the resultant dead is General Mercurio.

RANDOMONIUM

“Tourist Attraction," which premiered 50 years ago tonight, is screenwriter Dean Riesner’s only contribution to The Outer Limits. Riesner is probably best remembered as co-writing a few of the Dirty Harry movies in the 70's and 80's; classic horror fans may be interested to know that Riesner was married for six years to Malia Nurmi, better known as late-night TV personality Vampira. According to David J. Schow in his Outer Limits Companion, series producer Joseph Stefano offered Riesner a second crack at writing an episode, an offer which he refused (considering the slogging and unoriginal work he turned in here, that’s almost certainly a blessing).

Laslo Benedek returns to direct the action (he helmed “The Man With the Power” earlier this season, and he’ll return for “Wolf 359” in season two), while John Nickolaus directs the photography. There is some decent underwater stuff, to be sure, but otherwise the episode isn’t terribly imaginative in its staging or photography. However, we get LOTS of those amazing Ichthys on display, so it's hard to complain much.

I think we can all agree that Dexter is a total dick, particularly in his callous treatment of his girlfriend Lynn and shipmate/marine biologist Tom (in all fairness, however, Tom and Lynn’s mutual flirting is pretty blatant, so some of that dickishness may be justified). Dexter’s brusque bravado is satisfyingly undercut when he pisses himself with fear as the Ichthys charge toward him in act four (okay, there’s no indication that he actually pisses himself, but I like to think he does). His subsequent reconciliation with Lynn (pathetic though it may be) effectively completes a character arc (cursory though it may be), something we don’t see a lot of on The Outer Limits (we’re more used to psychologically skewed characters with unresolved issues). I’m not suggesting that Dexter’s character arc is in any way satisfying on a dramatic level, I’m just pointing out that the arc is technically there. Do I give the episode an extra point for this? I can’t decide.

I’m absolutely going to dock a point, however, for the embarrassing ethnic stereotypes assigned to guard the Ichthy. You know, Paco and Mario. Of course they get drunk and fuck things up. Of course they do. Because that's the kind of thing Colombians do. You can’t see me right now, but I’m typing harder than usual and rolling my eyes with disgust.

I’m also docking a point for the episode’s uncomfortable similarity to Universal’s 1954 classic Creature from the Black Lagoon. This is certainly not the only time The Outer Limits will, um, borrow story material (the fourth act of “The Galaxy Being” is straight out of The Day the Earth Stood Still; the nefarious plot in “The Hundred Days of the Dragon” strongly evokes The Manchurian Candidate; “Corpus Earthling” features an alien threat very similar to the one depicted in Invasion of the Body Snatchers; “Specimen: Unknown” cribs from The Day of the Triffids, etc.), but this is probably the most blatant example. On the whole, “Tourist Attraction” doesn’t feel much like an Outer Limits episode at all; it would seem more at home on a double bill with any number of late-50's Universal films (The Deadly Mantis, The Monolith Monsters, etc).

I don’t think I’m bursting any bubbles by stating that the episode’s sole attraction is the Ichthy itself. Big, bulbous and bug-eyed, it’s one of the series’ most elaborate creature creations (I’m reminded of the Thetan from “The Architects of Fear”; interestingly, both creatures share similar eyes and skin texture). This isn’t just a man-in-a-rubber-suit deal: the Ichthy is a grand achievement in creature design. It doesn’t matter that it’s heavy and slow moving: if this thing was crawling toward me, I’d be pissing myself right alongside Dexter.

The sight of the Ichthys surfacing in the lake and climbing up onto the shore is truly a glorious sight (call it a visual strength in numbers; imagine a herd of Thetans disjointedly galloping toward the camera!). Their awkwardness is part of the success of the sequence; creatures of that build would almost certainly have difficulty walking on land. This is the scene we've waiting nearly an hour for and, if it doesn’t quite make up for the three second-rate acts that precede it, it comes damned close.

I like the “Old Gods” connection, the idea that the Ichthys are actually prehistoric denizens of the San Blas waters that have thus far evaded extinction. So many of the series’ monsters are either extraterrestrial in origin or lab creations; it’s refreshing to see something natural and earthbound (yet essentially unknown to modern society) doing the scaring and rampaging for a change. It was assumed that the Creature from the Black Lagoon was either the last of its kind or some kind of mutation (or both); the Ichthys here have apparently been propagating throughout the centuries… unless the four seen in the episode are actually centuries old (which is a distinct possibility:  the captured Ichthy’s spear wound miraculously heals itself, so perhaps these critters have life-prolonging regenerative powers). I prefer to think that they've been gleefully reproducing for ages; along those lines, I would've loved to see a pint-sized Ichthy, maybe riding on its mother’s back or something, an indication that their kind will indeed continue on. Yeah, I know, it sounds goofy. Sue me.

AURAL PLEASURE

“Tourist Attraction” features an original score by Robert Van Eps; this is the only first season episode scored by someone other than Dominic Frontiere. Frontiere does contribute one cue, “The Creature Wakes”… which is actually “Building Terror” from his score for “The Human Factor.” No, really, they’re the same. It’s not an alternate take of the other, or a re-orchestrated variation. Don’t believe me?  Check this out:

See? Identical (well, "The Creature Wakes" has some Van Eps spliced onto the end of it, but the Frontiere part is the same, bit for bit, as "Building Terror"). Unfortunately, the reuse of the Frontiere cue is the highlight of the “Tourist Attraction” score. It sounds like music from a second-rate action or monster flick, with some “exotic” flourishes thrown in to evoke the Colombian locale. The atypical music possesses none of the mystery and resonance of Frontiere’s work, further rendering the episode an ill fit within the series.

The inferior score by Mr. Van Eps sticks out like a sore thumb on the TOL soundtrack collection but, happily, it doesn’t detract from the brilliance of the Frontiere scores. $19.99 plus shipping will get you a copy of this excellent three-disc set from La La Land Records. And yes, both “The Creature Wakes” and “Building Terror” are present, listed separately but most definitely the same exact goddamned cue.

DRAMATIS PERSONAE

Ralph Meeker stars as John Dexter in his only TOL appearance. His resume doesn’t have much in the way of sci-fi/fantasy/horror, but he did grace four episodes of Alfred Hitchcock Presents. He played Mickey Spillane’s Mike Hammer in one of my favorite film noirs of all time, 1955’s Kiss Me Deadly, which also starred TOL alums Wesley Addy (“The Brain of Colonel Barham”) and James McCallion (“The Man With the Power”). 

Henry Silva stands out as Gen. Juan Mercurio in the first of two Outer Limits appearances; he’ll come back in just two weeks for “The Mice,” where he’ll be much more likable than he is here. Silva’s association with Daystar Productions began when he appeared in “The Weapons Man” on Stoney Burke; he also appeared in the aforementioned The Manchurian Candidate in 1962. He played Princess Ardala’s sidekick Kane in the pilot episode of TV’s Buck Rogers in the 25th Century in 1979 (a role that was taken over thereafter by Michael Ansara, who we’ll see in the season two TOL episode “Soldier” along with Tim O’Conner, a two-time TOL alum).

Willard Sage appears as an unnamed reporter. We first saw him three weeks ago in “Nightmare,” and we’ll see him again in “Production and Decay of Strange Particles” in April.

Mario is played by Henry Delgado (aka Henry Darrow), who probably got the part because Daystar Productions had already used him in the “Point of Entry” episode of Stoney Burke. Paul Stader (last seen as the Ebonite Guard in “Nightmare”) is on hand inside one of the Ichthy suits. But really, it’s a pretty thorough makeup, so he’s barely recognizable. Inhabiting another Ichthy suit is Bill Hart, who will also appear in next week’s “The Zanti Misfits,” as well as “Fun and Games” in March. Hart was a regular on Stoney Burke (he played Lorenzo “Red” Smith).

Which one's Stader? Which one's Hart? We may never know.

HOME VIDEO RELEASES

“Tourist Attraction” splashed into the home video market in two distinct VHS editions: first, the standard retail edition and, later, Columbia House’s Collector’s Edition series (in which it shared tape space with “Corpus Earthling”). All 24 Columbia House volumes have the same cover; note that "Tourist Attraction" is one of the four episodes depicted.

If you were one of those elitist LaserDisc collector types, you would’ve found “Tourist Attraction” on the fourth and final LD volume, which was released in 1995. You probably bought all four volumes, fully believing that the entire series would get released, only to watch the format get superseded by….

…DVD, the LaserDisc killer! “Tourist Attraction” went digital in 2002 when the entire first season was released on DVD. This set was split in half for a re-release in 2007 (the first sixteen episodes, including “Tourist Attraction,” were in the first volume). Finally, the entire series was released as one omnibus package in 2008. Obsessive collectors needn't bother tracking down all three DVD iterations, unless packaging variations float your boat: the discs in all three sets are identical. No new content, no new transfers, no new special features, nothin’.

It’s the 21st century, and streaming is well on its way to becoming the standard delivery method for films and TV shows. You’ll find the entire Outer Limits run, “Tourist Attraction” included, available to stream for free over at Hulu. You cannot, however, stream it to your TV or mobile device…. yet. Computers only, gang.

TRADING CARD CORNER

Topps allocated an impressive five cards to the Ichthy in their Monsters from Outer Limits trading card set in 1964. Since Topps only had rights to the images but not the storylines, they had to essentially create new back-stories for every TOL monster and alien they used. The Ichthy became “The Sea Beast” and, as you can see, was colored a pinkish flesh tone. I’m pretty sure it’s a law that all fish or amphibian-based monsters must be green, so I’m not sure what the hell Topps was thinking (in all fairness, the actual suit was pinkish in spots, so they weren't completely wrong).

MERCHANDISE SPOTLIGHT

Happily, the Japanese follow the rules (Godzilla, for example). Their X-Plus vinyl figure is gloriously green and quite nicely sculpted (it looks a bit lean, though; the actual Ichthys are plumper and even more bug-eyed). It supposedly has a hinged jaw feature that allows its mouth to open and close (though I’m not sure it ever completely closes in the episode; still a cool touch). But does this collectible actually exist? As far as I can tell, it was never actually released in early 2013 as planned, and many websites have it listed as cancelled. Midtown Comics still has it listed as “coming soon”; however, they keep moving the release date out a week at a time... so I dunno. I really hope this Ichthy does in fact surface (ha!), as I’d love to add it to my collection. I’m keeping a vigilant watch, and I’ll holler if it in fact it becomes available.

Dimensional Designs offer a pretty impressive Ichthy model kit, sculpted by Ken Ito. It’s super-accurate (it actually looks like there’s a person inside the suit; look at those legs!), and it even comes with a replica of the little statue found on Mercurio’s desk. If you've got model-assembling and painting chops, he can be yours for $69.95 plus shipping.

Ito assembled and painted one for his website, and it’s beautiful. Check it out:

The Ichthy was prominently featured in one of Milton Bradley's Outer Limits jigsaw puzzles in 1964. Note the parasite from "The Invisibles" there in the foreground.

THE WRAP-UP

It’s more than a bit deflating that a creature as awesome as the Ichthy is attached to a by-the-numbers, highly derivative script. “Tourist Attraction” could’ve been something great; as it stands, however, it emerges as a belly-flop in shallow water. This may explain why it was the fourth episode produced, but the thirteenth to air.