“Cry of Silence”
Season 2, Episode 6 (38 overall)
Originally aired 10/24/1964
Fifty
years ago tonight, ABC presented a heady mix of zombies, alien intelligence,
and menacing tumbleweeds. It sounds like an Ed Wood movie, I know, but it was actually
an episode of The Outer Limits… and
thankfully, it wasn’t nearly as goofy as it sounds.
Andy
and Karen Thorne are out for a leisurely drive in the desert (I think they’re
checking on some property or something; it’s never really clear) when they spot
a truck screeching away from a semi-hidden side road. Andy deduces that that’s
the road they’re looking for and heads down it…. and promptly collides with a
giant boulder sitting in the middle of the road. While he casts a curious eye
at the damage, Karen manages to fall down a steep hill and twist her ankle something
fierce.
Andy
joins her at the bottom of the hill. They are suddenly beset by a herd of
ornery tumbleweeds, which have apparently come to life and are feeling
felonious. They form a wall around the Thornes, trapping them as night falls. Andy
builds a fire and discovers that these unusual tumbleweeds don’t burn… they
explode. A shadowy stranger---- a local farmer, Lamont--- arrives and helps
them past their captors.
Lamont shows up, now a stiff and inarticulate zombie. Andy tries to get him to write, but only a few meaningless scrawlings are produced before Lamont’s dead fingers lock up from rigor mortis. But this dead end opens up a big new avenue: the invisible alien force can inhabit a human being. Andy decides to hypnotize himself in order to make his body available for possession.
And it works…. sort of. Through Andy, the alien laments its inability to establish contact with Earth, apparently deaf to Karen’s impassioned attempts to gets its attention. The alien vacates Andy and departs Earth. “It just couldn’t hear me,” Andy broods.
.
RANDOMONIUM
The
episode is written by Robert C. Dennis,
who will contribute three more scripts in the coming months (“I, Robot,” “The
Duplicate Man,” and “The Brain of Colonel Barham”; the latter will re-team him
with this week’s director Charles Haas); here, he reaches for something above your average alien invasion-slash-monster-flick fare and is mostly successful.
However, the fact that “Cry of Silence” doesn’t devolve into the realm of unintentional
comedy (a la Plan 9 from Outer Space)
is an achievement in and of itself. Between Karen’s histrionic outbursts (she out-screams Barbara Rush from "The Forms of Things Unknown," believe it or not) , the dangerously
wacky plague of frogs, and the giddily surreal sight of those anthropomorphized
tumbleweeds rolling around… well, the episode has no business coming off as
cerebral as it does. Kenneth Peach’s
moody photography absolutely saves the day here (really, all he needs to do is
point and shoot at the gorgeous scenery), as do Eddie Albert’s energetic--- yet
deadly serious--- efforts to solve the mystery and, later, establish contact
with the extraterrestrial intelligence. Lamont… hoo boy, he could go either way:
he vacillates wildly between auténtica
loco and just plain goofy, but he ends up being just grim enough to push
the proceedings over the line into safe (or unsafe as the case may be) territory. “Cry of Silence” isn’t
necessarily great Outer Limits fare,
but it’s successful despite its potential pitfalls.
Ultimately, it’s the concept that I find most attractive here. We've seen countless first contacts in TV and films over the years, peaceful or not, but rarely do we see such a dramatic (even heart-wrenching) missed attempt at it. We don’t just root for Andy as he enthusiastically tries to facilitate communication with the alien force--- we root for mankind in general, as such contact might just be the catalyst for a new age of worldwide enlightenment. Potent stuff, to be sure, and it’s a head-shaking tragedy when it doesn’t happen. So close, and yet…. no go, folks.
from left: The Day the Earth Stood Still (1951), The War of the Worlds (1953), Close Encounters of the Third Kind (1977) |
Ultimately, it’s the concept that I find most attractive here. We've seen countless first contacts in TV and films over the years, peaceful or not, but rarely do we see such a dramatic (even heart-wrenching) missed attempt at it. We don’t just root for Andy as he enthusiastically tries to facilitate communication with the alien force--- we root for mankind in general, as such contact might just be the catalyst for a new age of worldwide enlightenment. Potent stuff, to be sure, and it’s a head-shaking tragedy when it doesn’t happen. So close, and yet…. no go, folks.
The episode's themes remind me of Pink Floyd’s “Keep Talking” (from 1994’s The Division Bell), particularly the chorus:
Why won't you talk to me?
You never talk to me
What are you thinking?
What are you feeling?
Why won't you talk to me?
You never talk to me
What are you thinking?
Where do we go from here?
The venerable Floyd
certainly has enough sci-fi meanderings in its expansive catalog (particularly their earlier stuff, see “Set the Controls for the Heart of the
Sun” from 1968’s A Saucerful of Secrets)
to justify a reference here, but "Keep Talking" in particular has another cool
high-minded science element: it features a spoken word intro by world-renowned
theoretical physicist and author Stephen Hawking, which goes as follows:
Sounds like something The Control Voice might say, eh? In fact, the intro narration for "Cry of Silence" attributes man's eventual advancement into space to "prehistoric man discovering the art of communication." That's some pretty deep and meaningful stuff (damn, where's the weed and the laser light show when you need 'em?), but on a lighter note, the camera rests on a chalk drawing of a curvy woman inside a telephone booth just as the CV mentions "the art of communication." Har har.
For millions of years mankind lived just like the animals
Then something happened which unleashed the power of our imagination
We learned to talk
And later:
It doesn't have to be like this
And later:
It doesn't have to be like this
All we need to do
Is make sure we keep talking.
.
Of course we can’t discuss a noncorporeal intelligence without being reminded of Gwyllm Griffiths (from season one’s “The Sixth Finger”), whose hyper-accelerated evolution led him to desire a state of “all thought and no matter, a vortex of pure intellect in space.” Our invisible alien (not to be confused with that hungry rascal The Invisible Enemy, who we’ll meet next week) appears to be exactly what Gwyllm longed to become… before he was sabotaged by that simple-minded---- but oh-so-stunning--- Cathy (Jill Haworth, *sigh*), so it’s nice to see that it’s at least possible (well, in The Outer Limits anyway; I obviously have no way of knowing whether or not real-life man will eventually shed his physical form, and if I did, I probably wouldn’t be permitted to share the info with you Missing Links).
Of course we can’t discuss a noncorporeal intelligence without being reminded of Gwyllm Griffiths (from season one’s “The Sixth Finger”), whose hyper-accelerated evolution led him to desire a state of “all thought and no matter, a vortex of pure intellect in space.” Our invisible alien (not to be confused with that hungry rascal The Invisible Enemy, who we’ll meet next week) appears to be exactly what Gwyllm longed to become… before he was sabotaged by that simple-minded---- but oh-so-stunning--- Cathy (Jill Haworth, *sigh*), so it’s nice to see that it’s at least possible (well, in The Outer Limits anyway; I obviously have no way of knowing whether or not real-life man will eventually shed his physical form, and if I did, I probably wouldn’t be permitted to share the info with you Missing Links).
The benevolence of the Extraterrestrial Mind Force™ is a bit hard to swallow upon further reflection. Lamont tells the Thornes that the tumbleweeds swallowed several head of cattle… now why the hell would a noncorporeal Brain Cloud™, alien or otherwise need to eat anything? I’m also a bit perplexed as to why possession by the Unseeable Mist of Intellect™ causes physiological changes in both the tumbleweeds (which explode when ignited) and the frogs (which dissolve in water). That second one is charmingly weird; it isn’t often I’m treated to the sight of a frog fizzing up like a goddamned antacid tablet.
The
shots of the tumbleweeds leaping onto the Wall o’ Weeds™ at the end of act one
are very obviously happening in reverse. This means that the shots were achieved
by simply having someone stand just outside the camera’s range and toss the
weeds onto the pile, then running the footage backwards in postproduction... which I suppose is much easier than rigging up an
elaborate network of wires. In an interesting bit of Outer Limits continuity, season one’s “The Zanti Misfits” opens
with a shot of a tumblin’ tumbleweed and closes with the same shot played backwards. I’m not sure if we’ll see any more tumbleweeds before the series
ends, but if we do, I hope like hell that footage gets reversed too. Y’now, for
continuity’s sake.
The silhouette
of Lamont staring over the top of the tumbleweed wall, flashlight in hand, is a
striking image; he’s way creepier than the crunchy critters menacing the
Thornes. Lamont is just plain unsettling from the get-go and never lets up (he even comes back
from the dead for a weirdness encore), possessing that rare ineffable quality
one only finds in the inbred denizens of the deep back woods. Even at his most
lucid, he never comes across as the “intellectual” Andy assumes he must be
after reading his notes.
And what
of the absent Mrs. Lamont? Lamont indicates that she left “about a week” ago,
but Karen deduces--- presumably correctly--- that it was in fact Mrs. Lamont herself they witnessed hauling ass out of
Dodge the day before. I
guess we can chalk Lamont’s misperception of the passage of time as another
sign that he’s well on his way to Crazytown.
.
AURAL PLEASURE
The underscore for “Cry of Silence” includes a couple of cues that we also heard last week in “Demon with a Glass Hand” (“Space Particles” and “Danger Signal”). Other selections from Harry Lubin’s extensive music library employed this week include "Ghostly Presence" and "Lost in the Galaxy."
.
DRAMATIS PERSONAE
This
week’s cast is probably the smallest in the entire series. With only three
characters, you’d think all three actors would get credit at the top of act
one… but you’d be wrong. Arthur Hunnicutt gets the shaft (his name isn't seen until the end credits roll). None of these three
folks appear in any other Outer Limits
episodes and have next to no genre connections to speak of; this section will be
real quick, in other words.
The
impressive résumé of Eddie Albert
(Andy Thorne) doesn’t have much in the way of genre work, but he still beats
his costars by a country mile. On TV, he popped up in “The Love Affair” episode
of The Man from U.N.C.L.E. (a series
which starred TOL alum David
McCallum); he also appeared on The New
Twilight Zone in 1988 (“Dream Me a Life," in which he co-starred with TOL alum Barry Morse) and The Ray Bradbury Theater (“Touch of Petulance”) in 1990. On the big
screen, he played The President in 1984’s Dreamscape.
No matter what, Albert will forever be remembered for his starring role on TV’s
Green Acres, which featured TOL alum Parley Baer in
a recurring role.
That lanky old hillbilly-cum-dead guy Lamont is played by Arthur Hunnicutt in his only Outer Limits role. His only other genre credit of note is “The Hunt” on The Twilight Zone in 1962, in which he played…. you guessed it, a lanky old hillbilly-cum-dead guy.
I was all set to turn this into a "nut punch" meme, but I've suffered this same torture at the hands (paws?) of my own dogs far too many times, so I know it's no laughing matter.
.
HOME VIDEO RELEASES
“Cry
of Silence” was one of the final twelve Outer
Limits episodes to be released on home video in 1991 (man, ol’ Eddie Albert
looks like he’s passing a kidney stone there). For its inclusion in Columbia
House’s mail-order club, it was paired with “Wolf 359,” which turns 50 in two
weeks.
“Cry
of Silence” was left out when 28 (of the 49 total) Outer Limits episodes were released on LaserDisc between 1990 and
1995, which must’ve pissed more than a few collectors off. However, MGM
acquitted itself with the 2002 release of the entire first season on DVD (the
second season arrived in 2003), but made the unfortunate choice to use
dual-layered, double-sided discs (DVD-18s), which are prone to eventual
failure. MGM announced that the series would be released again (in three
volumes, with the longer first season split in half) on DVD in 2007, which
raised the hopes of at least one fan (yeah, it was me) that the series would
either be remastered in high definition (as Image Entertainment had done with The Twilight Zone two years earlier) or,
at the very least, repressed on standard, reliable single-sided DVDs. Those hopes
were unceremoniously dashed when it was revealed that inside the pretty new
slim packaging dwelled the same exact discs from five years earlier. The
three volumes were collected into one omnibus package in 2008. And now, six
years later, MGM still hasn’t revisited the series for a Blu-ray release. I’d
love to think that new high definition masters are being created as I type
this, but I have absolutely no reason to put faith in MGM at this point.
Full
disclosure: the above paragraph was repurposed from an earlier episode
spotlight. What’s that? You think I’m lazy? You’re reading this for free, dammit. When I start getting paid,
I’ll guarantee 100% original content in every post.
In
addition to reading my spotlight of “Cry of Silence” free of charge, you can
also watch the episode for free thanks to Hulu, which offers the entire
49-episode series available for streaming.
.
MERCHANDISE SPOTLIGHT
Nope,
nothing, nada, zip. The landscape of Outer
Limits collectibles is pretty sparse to begin with, but even if it weren’t,
what exactly could be merchandised from this episode? Commemorative rubber
frogs? A tumbleweed action figure with jumping action? How about a rendering of
the formless, invisible alien intelligence? Actually, that gag’s already been
done…
I suppose one could put together a Lamont action figure using a Cletus from Playmates’ extensive Simpsons action figure collection….you’d just need to find plastic frogs, tumbleweeds and boulders of the correct size for accessories. The Simpsons has parodied a number of Twilight Zone episodes over the years (as well as the Outer Limits opening sequence for their Treehouse of Horror V Halloween special; see below)… if they opted to lampoon “Cry of Silence,” they would almost certainly slot Cletus into the Lamont role, don’tcha think?
.
THE WRAP-UP
“Cry
of Silence” isn’t quite top-twenty material, but it’s by no means a bad episode
either. Hysterical wife aside (Andy’s, I mean, not mine), it serves as an
engrossing meditation on something of a worse-case scenario if and when that
glorious first contact scenario finally presents itself: what if we can’t see
or hear one another? In 2009, the
National Research Council published The
Limits of Organic Life in Planetary Systems, which ended with the following
sentiment: "Nothing would be more tragic in the American exploration of
space than to encounter alien life and fail to recognize it.” What if, as in
“Cry of Silence,” that extraterrestrial life met us here, on our own turf, and
couldn’t recognize us as life?
I can't watch this episode anymore due to the number of times the wife cries "oh Andy!!!" If only the episodes title pertained to Andy's wife. Ugh.
ReplyDeleteAnother great review, Craig! I have a couple of responses.
ReplyDelete"Lamont tells the Thornes that the tumbleweeds swallowed several head of cattle… now why the hell would a noncorporeal Brain Cloud™, alien or otherwise need to eat anything?"
Maybe this was another of its fumbling attempts to communicate.
"I’m not sure if we’ll see any more tumbleweeds before the series ends, but if we do, I hope like hell that footage gets reversed too. Y’now, for continuity’s sake."
In "The Premonition", there are two tumbleweeds just outside Jim Darcy's crashed jet. David J. Schow includes a photo of the in the 1998 edition of The Outer Limits Companion with the caption, "Even the tumbleweeds aren't moving in Jim Darcy's frozen world of in-between time". See it here: https://lh5.googleusercontent.com/-8qCBTg1WdXA/TXP1gskrP4I/AAAAAAAADWc/Qw097i_AM9c/s640/Picture+2.png
That means they aren't moving, forwards or backwards. Dammit.
DeleteThis episode has gotten a bad rap because of the tumbleweeds. Viewers were still looking for a monster and all this episode gave them was animated, yet exploding tumbleweeds and menacing frogs. Oh and the boulders. When I saw this the first time as a kid I kept expecting one of these three things transforming into some hideous and menacing. Yes...I was one of "those" viewers back then. Year later getting into the whole episodes premise this is a decent episode. It is watchable. Lamont is probably the monster if you're still looking for a monster. Creepy! Given a chance it works and is not as funny or lame as the tumbleweeds would indicate.
ReplyDeleteIf you can't have a monster an animated zombie corpse is a good consolation prize.
DeleteFinally catching up...People gripe about this episode being totally ridiculous with its killer tumbleweeds, frogs and boulders. But once Andy realizes something alien is trying to communicate to whatever it can, the force becomes both strangely menacing and worthy of sympathy at the same time. Andy is an inquisitive man and he is the glue that holds this all together. His performance relays a sense of fear and wonder that offsets his hysterical wife and confused farmer Lamont. The opening act featuring tumbleweeds that slowly encircle Andy and Karen are kind of spooky. They slowly drift towards the couple and possess what Andy calls "a strength". Later, the alien force transfers itself to boulders that attack Andy and Karen while they are inside Lamont's farmhouse. At one point, Karen looks out of the farmhouse window and a boulder hurls itself into the side of the house. It lends a feeling of terror and isolation that permeates this underrated episode. What ultimately brings "Cry Of Silence" down a few notches is its conclusion. Its not a total disappointment, but it does minimize the horrific situation experienced by Andy and Karen. It's yet another forgotten treat from Season Two.
ReplyDeleteAmong interviews w/ the makers of GREEN ACRES - there seems to be one burning question I've never seen posed. Has anyone ever asked them - out of all the plot lines they could have dreamt up to pitch for a series - where exactly did they get the screwball idea of a show about Eddie Arnold as an urbane professional city man, with a hankering to get away from it all by moving to the outskirts - and a platinum blonde wife who has to be more or less dragged along under protest - and their close encounter, when they get out there, with ... Utter Weirdness?
ReplyDeleteEspecially considering CRY OF SILENCE first aired Oct 1964, and GREEN ACRES debuted - in the Fall 1965 network broadcast season, a year later. Not saying the timing - along with the striking match with CRY OF SILENCE for key distinguishing features is suspicious or anything. Far be it from me to think such - or, anything at all. Only that sometimes, on impression - some things just seem almost too coincidental to be - coincidence (?),
And if anyone's got a source where/when/how the GREEN ACRES concept originated ... my kingdom for that horse, squire.
This reminds me of the algorithm
Delete1963's The Sixth Finger featured pointy ears (designed by John Chambers)
+ Gene Roddenberry sat in TOL screening room all the time
+ 1964's first Star Trek pilot features Spock (whose pointy ears were also by Chambers)
= TOL (and a shared makeup wizard) caused Spock to have pointy ears
Seems logical to many TOL fans. David J Schow disagrees. The same "facts" can have many different interpretations.
It proves that some people watch TV for reasons other than entertainment.
DeleteOk, I know some of you guys pick on this episode a lot, but I LOVE it! It's slightly goofy, but I think they pull it off. It's stayed with me for some 40 or 50 years, so it must have something going for it! The writing of the story works for me. I buy into the tumbleweeds, frogs,etc. On paper, just talking about it, it all sounds silly, I agree with those of you who think that. But again, I believe they pulled it off. I find it creepy as all hell. Lamont is VERY creepy! Good one---
ReplyDeleteI just watched this episode. Yes, it's a bit silly, especially with the frogs (were frogs bouncing off you *really* that great a threat?), but Eddie Albert's performance is a real tour de force that keeps the episode going, and the basic idea behind the episode is a great one, even if I think they could have handled it better. It's kind of a shame that this episode is the one that followed Demon With a Glass Hand.
ReplyDeleteAnd like Brian Akers, I too, wondered if this episode might have been part of the inspiration for Green Acres. God knows weird things happened on that show, too, even if it was played for laughs instead of seriously.
Creepy Tumbleweeds blowing around i can remember riding through t his area where tumbleweeds were against a fence gave me creepy feelings ater seeing this episode of The Outer Limits
ReplyDeleteANYONE KNOW FILMING LOCATION ?????
ReplyDeleteHere is another one that creepier me out as a kid of five or six.tumbleweeds,frogs resolving in water,zombie farmers.The whole thing and weirder than that,it looks like a prelude to Green Acres.this guy could be Oliver Douglas.well,he did play him,but you know it has this Wolf Newton Universe thing to it.
ReplyDeleteFreaking Tumbleweeds rolling and Tumbling everywhere and the name of the Ghost Town Morgue and i mean freaking Tumleweeds i can remember a place where i saw Tumbleweeds against a fence all i could think of was this episode
ReplyDeletecloses with the same shot ran backwards
ReplyDeletes/b
closes with the same shot run backwards
The President in 1982’s Dreamscape
s/b
The President in 1984’s Dreamscape
dwelled the same exact same discs
s/b
dwelled the same exact discs
Seriously... If you were an intelligent life force, would you be that pissed off you couldn't communicate with the likes of Andy's neurotic wife?
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteI’m surprised nobody pointed out that Eddie Albert actually says to his wife something like “I promise I will give up my silly idea about moving us to a farm.” I was stunned. I mean, that’s the exact premise of Green acres. It was wild.
ReplyDeleteAugust 18, 2019 at 11:02 AM
Obviously this episode inspired Green Acres. That has been known to happen.
DeleteDefinitely enjoyed your write-up and analysis of Cry of Silence, and as you noted, the story does bring up some intriguing ideas about trying to communicate with ET's. I may indeed have to revisit that episode. I think one problem I always had with it was I could never get over Eddie Albert from Green Acres. lol
ReplyDeleteThat said, I get the feeling you liked the second season a lot more than I did. I don't know, in spite of a couple of gems like 'Demon', the second season never quite struck a chord with me the way the first season did. For the longest time I was trying to figure out why, and I think now I know; Joseph Stefano had left the show. I wouldn't quite go so far as to say he was the heart and soul of TOL, but it definitely lost a lot when he departed. I would mention however, that I absolutely loved the second season end theme by Harry Lubin, though the OL music always was one of the shows strong points.
You missed a key plot point. Andy points out to Karen, rightly, that nobody knows for sure what happened to the missing cattle. The viewers can draw their own conclusions. Perhaps the cattle have simply been misplaced. Perhaps they were taken as samples aboard the alien ship. The idea they were devoured by meat seeking aliens, is the conclusion of the most paranoid viewers, a theory not sustainable by the available facts.
ReplyDeleteI admire Seasons One and Two for different reasons. Ben Brady and his team had a tough act to follow but I think they pulled it off. Best wishes, Zokko
ReplyDeleteI remember watching this episode at age 9 and being really disappointed. After all those great monsters in the first season and now we get tumbleweeds? But after all these years I have a new appreciation for the show. The actors did the best they could with what they had to work with and gave it their all. Eddie Albert comesboff as logical and crazy at the same time and is unintentionally comical. June Havoc is way over the top hysterical but almost endearing. Arthur Hunnicut as Lamont plays his role as expected, eccentric farmers were his stock in trade. One of those episodes you can enjoy if you're alone and feel like turning your brain off.
ReplyDeleteWith this episode they took a half hour of material and stretched it to an hour which usually doesn't work but somehow it works here. With the minimal cast the show becomes a character study of the actors. Best line is at the end when Andy in frustration says "Anybody with six drinks in them could write this kindnof junk", which you could say about the episode in general. I'm not totally against six drinks if it's called for.
ReplyDeleteThe scene where Karen falls down the hill is pretty graphic and startling, and those monster boulders are pretty frightening. I don't remember but that must have shocked me as a nine year old.
ReplyDelete